Sirpur in Chhattisgarh (also known as Mahakosala) was the seat of power for Panduvamsa at a time when political turmoil was at its peak in East-Central India. During the reign of Mahasivagupta Balarjuna in the beginning of the 9th century CE, Mahakosala had been invaded by Rastrakutas from Deccan. With little hope for revival, a branch of the family left Sirpur for Suvarnapur (or Sonepur) in search of fresh fortune in Western Odisha. Here they thrived and established a kingdom known by Somavamshi, which later penetrated into Coastal Odisha and became creator of some of India’s finest temple jewels in Bhubaneswar.
Suvaranapur from then on became a flourishing center of art and religion. However, its link with Ramayana’s Lanka by Late Prof H.D Sankalia, the Father of Indian Archaeology traces its roots to much earlier time. The archaeological expedition at Kahambeswarapalli and Manmunda Asurgarh (the settlement of Asura Tribe) on the southern bank of River Tel also pushes back its antiquity to Prehistoric time.
Sunset over River Tel
For everyone in India, a familiar story goes: Thousands of years ago, Lord Vishnu took birth as Rama, to kill the demon king of Lanka. Ravana carried off Sita, Rama’s beautiful wife, to his kingdom, and in course of search, Lord Hanuman made a great leap across the seas. His superhuman bound carried him from the southernmost tip of India into the land of Lanka, now known as Sri Lanka. Rama stormed the country, and after a long battle, rescued his wife.
However, archaeological finds revealing sacrificial alters, skeletons of horses, prehistoric tools, plenty of Iron Age war tools, the remnants of a large fortified city dated from 6th century BCE, all suggesting to one point – Sonepur was a cradle of early civilization inhabited by Asura tribes.
Sonepur is located in Western Odisha at a distance of 278 km from Bhubaneswar by road. It is a medium sized town and the district headquarter of Subarnapur District. While in the town a traveller can also explore its other heritage temples, such as Budhi Samalai Temple, Bhagavati Temple, Dadhibabana Temple, Dasamati Temple and Jagannath Temple. Sonepur is also a major handloom cluster. Bomkai or Sonepuri Saris are woven by Bhullia community in villages around Sonepur.
Sonepur does not have much staying options. However, nearby towns of Balangir and Bargarh, both connected by rail have a number of budget hotels at affordable prices.
Lankeshwari Temple in the Middle of River Mahanadi
In the living tradition of Sonepur, Hanuman is disrespected and his effigy is burnt as a mock of counterpart on the day of Purna Amas, 40 days before Dussehara, the day Rama defeated Ravana. On this day Lanka Podi is performed in Sonepur during which monkey god’s terracotta image is burnt, crushed and thrown into river as a mock of Ravana’s antipathy.
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Much later in history, Sonepur was also a princely state of India during the rule of the British Raj. Its ruler was entitled to 9 gun salute. The state was founded in 1556 CE by the rulers of Chauhan Dynasty. During Sambalpur Uprising the Chauhans of Sonepur had extended support to the British.
The Remains of Ruined Palace in Sonepur
The Chauhans were great patrons of art. Under their patronage, artisans were invited from other parts of Odisha and elsewhere. Applique or chandua kam, pattachitra, wood carvings, ganjapa, terracotta and many more thrived on its historic corridors on the banks of River Mahanadi and Tel.
Ganjapa Cards of Sonepur
Several temples also dot its landscape representing the combination of Tantra, Shaiva and Vaishnava faiths. Among the temples the most noteworthy are the Gundicha Temple, Sureswari Temple, Budhi Samalai Temple, Rameswara Temple, Lankeswari Temple and Pancharatha Temple.
Budhi Samalai Temple
Sureswari is the presiding deity of Suvarnapur and is an ancient seat of Tantra Sadhana. Although it is not possible to trace when the worship of Sureswari began, but legend goes, Sri Parasurama worshipped his mother Renuka in the name of Sureswari. He killed Kshatriyas and offered their blood to the holy fire of the yajna he conducted.
The Sacrificial Wooden Post used for Animal Sacrifice
The present temple had been built by the Chauhan King Achal Singh Deo in early 18th Century.
A stroll through the lanes of Sonepur would take you to different artisan streets. Beyond the Gundicha Temple on your way to Rameswara Temple at the confluence of Mahanadi and Tel there is Kumbhara (Potters) Pada (Street). Here one discovers the oldest surviving craft in human civilization untouched by time. The specialty here is the making of terracotta images of Lankapodi Hanuman (described earlier).
At Maharana Pada there are wooden crafts and paintings in patachitra style. On your way to Manmunda before the bridge on River Tel you meet chandua artists and what they show is very different from Pipli chandua. Across the River Tel is the settlement of Manmunda Asurgarh where one can explore the process of Bomkai Pata Silk Saree making in a large workshop established by Chaturbhuja Meher.
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Sonepur and its surrounding villages are home to nearly 50,000 weavers belonging to Bhulia community. Originally belonged to Rajasthan, the Bhulias came to the region during mid 14th century through Chhattisgarh. The weavers were later titled as Mehers.
From then on they have been traditionally weaving the tie and dye fabrics. In earlier time in the absence of chemical colours, vegetable dye was mainly used, which had limited colour range.
However, during 1960s a lot of fresh ideas were introduced with the initiative of visionary Padmashree Krutartha Acharya. Chemical dye was also introduced in the process, which led to increase the range of colour sheds and design variations. Bomkhai designs were introduced from Ganjam in late 1980s and early 1990s. One specialty of Sonepuri tradition is the intricate of motifs and designs unlike the tie and dye tradition of other parts of India.
Sonepur is mystic, where time moves in slow pace. You can simply relax here leisurely for a couple of days strolling through its rural heartland among farmers, potters and fishermen all engaged in rustic folk settings and relishing delicious fresh organic food and lobsters fresh catch from rivers.
Author – Jitu Mishra
He can be contacted at firstname.lastname@example.org